I’m not going to say it was easy, because it wasn’t. Looking back, Cooley admits that for the Toy Story 4 team, Lasseter’s departure from Pixar was “a big thing. Around the same time, according to reports, original Toy Story 4 writers Rashida Jones and Will McCormack left the project, citing “creative and, more importantly, philosophical differences”. It was 18 months later that Lasseter announced he was taking a sabbatical from Pixar (he left the company altogether in 2018) because of unspecified “missteps” that had made some employees feel “disrespected or uncomfortable”. But in spring 2016, finding himself wholly occupied with his dual role running Pixar and Walt Disney’s animation studio, Lasseter stepped away and co-director Josh Cooley took sole control. There’s a lot for him still to learn.” John Lasseter, then chief creative officer at Pixar and director and original story writer on the first two instalments, was originally set to direct the fourth outing. That idea, says Nielsen, “was that Woody’s story wasn’t really over. According to producer Mark Nielsen, Pixar veteran Andrew Stanton came up with the idea for a third sequel to the groundbreaking 1995 original - Pixar’s first feature and the first fully computer-animated feature film - while Toy Story 3 was still in production a decade ago. Toy Story 4 has a long and tangled history, even by the standards of big-budget animation, where years-long production schedules are the norm.
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